Books Calligraphy became a serious part of my life in the fall of when a friend from high school remembered my earlier dabblings and asked if I could do some lettering in a wedding album for a friend. I got out my Speedball Handbook, practiced a bit, and said yes. I was utterly smitten.
The second instalment, at the Millennium Court Art Centre, Portadown, 6th October — 22nd Novemberfeatures examples of work dating back to the early s. Friday 4 August, pm Exhibition continues: Leaves Belfast from Golden Thread Gallery at 6. With a family history in lace-making and embroidery, Alison studied textiles, then developed her skills in glass making in a variety of techniques.
The nature of the glass piece embodies the fragility of the very memory it captures. The exhibition opens on the 4th August and continues until the 27th of September. The artist has used the technique of Pate de Verre to cast antique christening robes in the process, the original robe will be burnt away in the kiln but the glass will formed in its place — creating a fragile but haunting reminder of what was there before.
She graduated from the University of Ulster with a first class Honors degree in Art and Design in She employs a range of techniques to create her sculptures, working with cast glass and pate de verre.
Ceramics and its Dimensions: Returns from Portadown at 9pm Exhibition continues: This event is free of charge but registration is essential. To register please contact Niall Drew on or Niall. The sub-project consists of a workshop, a touring exhibition and a publication.
It has been co-funded by the Finnish Ministry of Education and Culture. For more information on the project visit: The raw materials, such as clay, kaolin sand, feldspar, quartz and other minerals, are taken from the ground.
People have known this for thousands and thousands of years, and they have taken advantage of the special characteristics of ceramics as a material: Throughout history, ceramics has played an important role in the development of different kind of societies all around the world, influencing the way people have built their houses, lived their lives and eaten their food.
The European project Ceramics and its Dimensions seeks to be a part of the rediscovering of the role of ceramics and the bringing forth of the knowledge of the heritage and the different traditions of the use of ceramics.
This ambitious project has connected museums, architects, designers, industry and stakeholders from different European countries to explore ceramics according to its cultural, historical, technical and artistic aspects.
The project is supported by the EU Programme Creative Europe, and it brings together twenty-five partner institutions from eleven European countries: Within the project, there are ten separate modules that focus on diverse aspects of ceramics.
Each of the modules uses their own way to explore, discuss, show and share their specific topics. For example, the module European Cultural Lifestyle in Ceramics — from Baroque until today constitutes a touring exhibition that presents some carefully selected items which mirror the history of ceramics in the European lifestyle from the Baroque period to the present.
Then the module Architectural Ceramics in Europe uses the form of a database to present some extraordinary buildings in European history. It highlights the fact that ceramics is not an insignificant building material but in fact one which has in many cases improved the quality of architecture significantly.
The module Prop ceramics — ceramics in movies and advertisements takes a retrospective view of the socio-cultural background of the use of ceramics in films.
On the other hand the module Ceramics — what it means to me brings us to the question of how to use ceramics for improving the living conditions of people and how to make sure that ceramic products are sustainable.
It also tackles the fundamental question of how we can create ceramic pieces that are produced in large quantities yet at the same time feel personal. To support the challenges for the upcoming generation, the Future Lights module and competition is targeted at young designers who have just started their careers.
The module provides a chance for the selected participants to promote their career as designers and ceramicists. Right now, you are handling the publication that will discuss and show in detail how the module is in fact shaping the very future!
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A critique is an endeavour to comprehend an artwork and understand the intent of the artist. They take two forms: written reviews and public critiques (ie art class critiques).
Public critiques may be a very intimidating experience, especially if you are shy or do not like public speaking.
() Josè Basso was born in Chile in and later graduated with a Fine Arts degree from the University of Chile. He became a professor of art at the same institution, while continuing to develop his skill as artist. How to Write About Contemporary Art [Gilda Williams] on iridis-photo-restoration.com *FREE* shipping on qualifying offers.
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